Publishing

How I Got My Book Contract

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There are about as many different ways to be published as there are authors in the world. That’s one thing I’ve learned through my several years of writing and querying novels. I’ve listened to podcasts, read blogs, watched videos, and scrolled through social media absorbing everyone’s different stories about how they landed their book deals.

Well, now I can finally add my story to the pile. Which is such a weird sentence to be typing. In a lot of ways, it still doesn’t feel real. I’ve talked about it, tweeted, Facebooked, Instagramed, and shared it on my newsletter. Yet here we are, five months later, and I still haven’t written my contract story on the blog or shared it in full detail anywhere. Maybe I’m waiting for the feeling of the reality to hit. I don’t know why, but here we are. I’m going to be a published author, and this is how it happened.

 

The first thing most people ask me when I tell them that I’m an author and have a book to be published is “how long have you been working on it?” Oddly enough, that’s a more complicated answer than you’d think. My original idea for The Night’s Chosen was back when I was fourteen - 20 years ago! - and all through high school and parts of college I tinkered with a novel based on Snow White. I put it down for awhile when I realized that it wasn’t any good. As are most books that we write when we’re fourteen.

Then a few years ago a new Snow White idea hit me and I went back to work. The Night’s Chosen and that book from high school hardly have anything in common other than a couple character names and that there are two princes who are brothers. Literally everything else is different. If you want to know more about how I came to this book and about my previous book I’d queried, you can read this post.

This exact book I’d worked on for about a year and a half to two years starting from my first draft all the way to the final one I submitted to my editor. A year or two before that I’d queried another book which hadn’t gone anywhere.

During my first round of writing The Night’s Chosen (it was called White Rose at the time) I’d gone back and forth on wanting to finish it. Originally my goal was to have it completed in time for PitchWars 2018 - an online contest where you submit your completed manuscript to be chosen by a mentor to guide you through revisions and then have your book be put into a showcase for agents. I had submitted an urban fantasy book the year before and while I didn’t get picked, I’d gotten some good feedback from a mentor or two.

Slowly I worked on my book in hopes that it would be done. The closer the time came for the submission window to open, the less I thought I would be able to complete my book in time. Yet, I plowed on and I even write a “boost my bio” blog post to put the word out there to the mentors and other participants that yes I was going to submit a book!

After PitchWars announced their list of mentors and I combed through who I thought would be good to submit to. I saw a few who I felt like would actually like my urban fantasy book from the year before. According to the rules, you can submit the same book a second year in a row if you weren’t chosen as long as you submit to different mentors. The timeline was short, but I decided to put away my Snow White book and get to work on doing some edits to my urban fantasy to clean it up a bit. At that point I had about a month until submission opened.

I was almost ready to take down my “boost my bio” post when one of the mentors - Paris Wynters - who’d been on my radar, replied to my tweet about the post. All she tweeted was a GIF of Snow White waving.

Oh. My. God. Someone was interested in my book.

I rushed back to her PitchWars profile and yes, she would be an awesome mentor. What had I been thinking switching books at the last minute? Of course my Snow White retelling was the way to go! The only problem? I was about two, maybe, three weeks until the submission deadline. There were no extensions and my book had to be completed.

And I still had thousands of words to go before it was done.

I sent panic messages to my writing group who were also submitting to PitchWars that year and we’d been planning and commiserating with each other all summer in preparation. We all panicked together but came to the conclusion that there was no other option - I had to finish this book.

So, I did. I stayed up late and got up early every single day. I locked myself in my room for hours at a time for those last two weeks of August 2018 and wrote more words all at once than I ever had before. I even talked to my supervisor at work and he gave me the days of the PitchWars submission window off so I could have even more time to get it finished. He was more than supportive and I am forever grateful. With only three hours to spare, I submitted my book and waited. There were a couple of emails back and forth between Paris and I and a couple other mentors, but overall it was a lot of waiting.

Ultimately, I was not picked to join PitchWars that year, but I was informed a few people had been interested in my manuscript and I was someone’s runner up where if their number 1 wasn’t able to be their mentee I was next in line! Paris kept in touch with me and even asked me to help give feedback on her mentee’s book and added me to a writing group she put together on Facebook.

I was bummed, but overall proud of myself. I’d made a deadline and I was able to reach it and make something that caught people’s attention. The book definitely needed work, but there was a lot of good in it.

Once PitchWars was over, Paris offered to read through my book again and give me feedback on it so I could work on revisions. It was the start of a beautiful and amazing friendship and mentor/mentee relationship. Paris may not have chosen me as her “official” PitchWars mentee, but she became my mentor regardless.

For months and months she and I messaged and talked and poured over my book. (I’ve helped her out with some of her stuff too - so don’t feel like this is completely one sided! Even though I feel like she’s helped me way more than I’ve helped her. Something I want to rectify.) It was torn apart and put back together over and over again until I felt like I was ready to start querying it again.

I was more hesitant in querying this book than I was with my urban fantasy. Like Alexander Hamilton, I didn’t want to throw away any shots. My book was fine and ready to query, so I can’t tell you why I was so hesitant. Maybe because I was afraid of disappointment? Who knows. But every few weeks I’d send a query letter out to a couple of agents here and there to see who would bite. Periodically I would pause my querying and do more revisions, then send another few out. I didn’t get many replies and slowly got discouraged, but I kept plowing through.

Then, Paris sent me a message saying that she met an editor from City Owl Press at the Romance Writers of America Conference and pitched my book to her. (Which I didn’t ask her to!) Miracle of miracles - she said to send it over! Paris passed her email onto me and while we decided my book still needed a bit more tweaking, once that was done I could send it over. So, once I knew it was ready, I did. She then passed it onto another editor (Tee Tate!) and I sat around and I waited.

And waited.

And waited.

Publishing is a business of waiting my friends.

It was fall of 2019 at the time, and I’ll be honest, I was a bit down. I’d submitted my book to PitchWars once again, but gotten no bites. Not a single mentor took any interest in my book. Even with my urban fantasy two years before I’d gotten a couple encouraging messages and tweets from mentors! This time, nothing. Eventually, NaNoWriMo (which I’d been participating in for over ten years) had come and gone and I’d hardly written anything for it. I had a couple of new book ideas but nothing really excited me. I worried The Night’s Chosen wasn’t good enough either, and maybe I wouldn’t have any more ideas. (Oh the overdramatic woes of us writers!) I wasn’t really sure what to do next.

Then, December 1st, I woke up and saw I had a new email. It was from City Owl Press, and a contract was attached to the email. They wanted to give me a contract. I hadn’t even gotten out of bed yet!

I had an offer for my book from a publisher.

I ran to my mom’s room where she was also propped against the pillows scrolling through her phone. I told her the news and she had the same reaction I did - “Wait… what?” We were both still waking up and coffee hadn’t been made yet. Our brains were still turning on. But eventually it sank in, I had a book deal.

Naturally, my next move was to message Paris with a lot of squeals and excitement along with questions of what to do next. I asked the publisher to give me the industry standard of two weeks to reach out to other agents and editors I’d submitted to so they could pitch me any offers if they wanted as well, and in the meantime I read over my contract over and over and over again asking various questions about what it all meant.

Ultimately, none of the others I’d submitted to wanted to throw their hat in the ring but all wished me the best with my contract. Which was fine! I had someone who wanted my book! All you need is the one. Once the two weeks was up I sent them my signed contract and asked if it was okay for me to share the good news.

They said of course.

Basically… my social media blew up that day. It was great.

And here we are. Even writing this all out it feels like a bit of a dream. Did this really happen? Is my book really going to be published and out there in the world? But it did. It going to happen! It’s not just a dream anymore. The thing is, it’s not even an ending. This is just the start of my publishing journey.

I’ve been able to join our author group with other writers in the publishing house and it’s been so great to get to know them. My editor is going through and making notes on my book as I type this and I’m mentally preparing myself for the first round of revisions with her. Just this week we’ve started discussions about the cover. I have my plans for upcoming books sitting on the back burner that I’ve gone to work on here and there since I signed.

What’s interesting is that all this time I’ve wanted to be a published author - literally my whole life! - and to have that first book was the goal, but instead of seeing it at the end I’m seeing it as the start.

The book contract isn’t the happily ever after at the end. It’s the first chapter.

 

So, there you have it. The story of how I got my book contract. It was not a one person success at all. I had Paris who worked and helped me so much, my writing group and beta readers who spent hours reading my book and discussing it with me, my supervisors and co-workers who’ve been gracious to let me have time to write when needed, my family and friends who’ve been over the moon excited and supportive of me… and this wouldn’t have happened without any of them.

Now I can’t wait to see where this will go next.


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When Writing is A Battle

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I’m in high school and trying to think of a book idea.

I’d played around with novels in the past and always said I wanted to be an author, but I wanted to sit down and really do it. I mean… I was fourteen years old for crying out loud. SE Hinton had her first book written when she was 15 and published when she was 18. Clearly, I had to get going.

There was the age old advice of “write what you know” and I always rolled my eyes at it. What I knew was so boring. Until my sister points out “you know the story of Snow White better than anyone. Why don’t you just write about that?”

Well… now there’s an idea.


It’s a few years post college and I have an incredibly rough draft complete of this old idea about Snow White I once had.

Having put my writing aspirations aside as a hobby and only participating in NaNoWriMo and toying with edits in exchange for focusing on a different career path, I realize I’m tired of keeping my writing on the side. I have so many other ideas. More characters and worlds to explore. I can’t not write anymore.

But… this book is not good.

For someone who played around with it periodically in high school in college it’s just fine. As an actual publishable novel? Not at all.

And I’m okay with this.

I set the book aside and work on something brand new.


It’s a couple years later.

I’ve completed and revised a book and queried it out to agents. Nothing happened with it. While I’m sad and disappointed, as I look through the manuscript I know there’s so much work to be done on it and to be frank - there wasn’t a market for this genre at the moment. Maybe I can return to it someday.

Yet, I don’t have anything else to work on.

As I sit in my living room watching TV an idea hits me like a lightning bolt. It has to do with Snow White. But… different.

No. NO WAY. I can’t go back to my terrible terrible book from high school. BAD IDEA.

But…

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The same skeleton of the Snow White tale is there (obviously) and the same with the love interest. Yet… there’s more. A completely new turn. A new story. Sure, use the same character names if they still work. But this isn’t just revising a terrible old draft. It’s something new.


It’s August of 2018 and there’s two weeks to go until the PitchWars deadline.

My Snow White novel isn’t complete. It’s close, but, there’s so many more words to write than I’m used to in such a short period of time.

Yet… maybe I could do it.

Would it be hard?

For sure.

Is it possible though? Am I crazy enough to go for it?

I set a schedule for myself where I wake up early each morning before my 7am clock in time for work. When I get home, I write even more. Sometimes from the moment I get home to the moment I go to bed only to start it all over again the next morning. I cancel plans with friends and have to back out of meetings. I talk to my supervisor about my goal and they’re kind enough to let me leave early the day before my deadline and have the whole next day off so I can get it done.

With a few hours to spare - the book is done. The last half isn’t perfect. The last quarter is a hot mess. But it’s done. I’m completely and utterly exhausted and I never want to look at a computer screen ever again. I also have never been more proud of myself regardless of the outcome.

Submit.


It’s April 2019 and I’m still revising.

I didn’t get picked for PitchWars - but I later learned I did get attention. Someone helps guide me through how to revise. I read a book about plotting. I outline, write and edit, reoutline then rewrite and reedit. I get started, then there’s times for weeks I can barely look at the page.

Each time I have a break through a roadblock appears. Even if it’s just one I’ve created in my own head. I think I have it all though through then when I go to write my mind completely blanks out.

I’ve cut so many words and added even more words only to have them cut again.

I know this is how the revision process goes, but it doesn’t feel like I’m making any. I know it’s being made, but my heart won’t accept this fact.

Other novel ideas are floating around in my head and it’s so tempting to just say “well… I tried that time for something else.” I want to dig through those stories and characters. I want to take all that I’ve learned and maybe, just maybe, this time around it’ll be better.

It’ll be easier.

But if I stopped one book and started a new one every time it got hard I would never have anything complete. So, I keep going.

Then I doubt myself. “What if this wasn’t such a brilliant idea in the first place? What if there isn’t really anything to salvage out of this? Do I really want to waste my time on a book that’s never going to be great? Maybe you were never meant to publish a book. You’ve been talking about this literally your entire life and you still can’t even get revisions on this one book done.”

There’s a literary agent/writer I follow on Twitter, Eric Smith, and he tweeted several weeks ago “The book of your heart is worth fighting for.”

Is this Snow White novel the book of my heart? It might be. Although, I wonder if there is even a single “book of your heart.” I think you might have a few. They all just each explore a different part of your heart. I think this book is one of the books of my heart.

I keep trying to remind myself that if this is the case, it’s worth the fight and the battle. The days of self-doubt and frustration. All of it will be worth it.

Maybe I should shoot for only 100 words a day. Even if it’s not much progress, it’s at least something on days when my brain can’t work any more. Maybe I should set another hard and fast goal to force myself to get it done and stop making excuses. Maybe if I make one more outline it’ll work itself out.

Maybe this

Maybe that

Try this

Try that

Yet… it’s still not done.

Why isn’t it done?

I know I don’t have a timeline and I can’t compare myself to the routines of other people because every has their own process. In spite of knowing this, I can’t help but keep asking myself “Why can’t I just figure it out and get it done?”

There’s something that’s going to be special and unique about this book. There has to be. Something in me says to keep going and keep digging through the muck and I’ll find something special. For some reason, it’s not coming out yet.

I know writing and revising is hard. Most of us writers know this. But when we’re actually in the middle of it, we (or at least I) start to wonder “Is it supposed to be this hard?”

The book of your heart is worth fighting for.

So, I’m trying. And I’m fighting. Even if I don’t hit my word count goal each day. Even if end up deleting all of the scenes that I’ve already written and I have to start some of them (or all of them) over. Camp NaNoWriMo and spring arriving with it’s sunshine helps. Talking with other writers and my CPs helps. But it’s hard right now. It’s been hard for several months now.

But I can’t stop fighting for this book.


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Let's Talk About New Adult Books

From time to time when you read my end of the month reading round ups, under "genre" you'll find me describe a book as "New Adult."

I've been on the Internet for some time now, and for the last several years been active in the book community on the Internet. Therefore, there are many book and writing terms I come across which I read, and I understand immediately what it means. I know and understand the lingo. 

So, when I am chatting with friends and I bring up terms such a "new adult" and my friends are like "what are you talking about?" - it throws me off a it. I tend to forget that not everyone is like me where they live on Instagram and Twitter.  When I thought about it, I realized that when I use this term in my reviews, readers may not know what I'm talking about. 

Over the last couple of months, I've seen a lot of discussion about the "new adult" genre. What it is. What it isn't. What people think it should be.

"It's just an excuse for young adult to have explicit sex scenes!"

"Why is this book shelved as young adult when it's new adult?"

"What is New Adult????"

These are some of the things I tend to see floating around when this discussion comes up.

If you've hung out around my Twitter, you've probably seen that I have also chimed in with my own opinions. And well... I have OPINIONS. 

Mostly stemmed from my being selfish as my current work in progress I'd consider "new adult." But as of right now, it wouldn't be shelved as such. I'll go more into that later. For now, let's dig into what New Adult is, where it came from, what it isn't, and what I think it should be.

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What IS New Adult Anyway?

Officially, New Adult fiction is a sub-genre within romance. Yes - romance specifically. Not any other genre. JUST ROMANCE. 

It was created by romance writers/publishers/editors to specify a younger age range. They are books about college-aged protagonists in their first intense relationship- but very adult relationship. Sometimes, this age will spread to mid to late 20's. (I read this through the Nelson Literary Agency Newsletter a couple weeks ago.) 

Therefore, when you are querying an agent with your brand new shiny manuscript - if your new adult book isn't part of the romance genre, your book is NOT new adult. Sorry to burst your bubble and ruin your hopes and dreams. But as of right now, that's how it is.

Examples of books that are New Adult:

  • The Reluctant Hearts Series by Brighton Walsh
  • The Ivy Years series by Sarina Bowen
  • The Off-Campus series by Elle Kenedy

So... why does it seem like New Adult is just trashy romance books?

Well... because that's what they are. They are a sub-genre of romance. 

 

What New Adult is NOT

This brings us to my next point. There seems to be a disconnect where readers and writers assume that just because a book's protagonist is no longer a teenager, they aren't necessarily dealing with the same issues dealt with in adult books, and the prose might read like a young adult novel, it must be New Adult.

According to the publishing industry - this is incorrect. 

Books people label as New Adult but are not would be:

  • A Court of Thorns and Roses series by Sarah J Maas
  • Fangirl by Rainbow Rowell
  • Let's Talk About Love by Claire Kann

These books may have romantic elements to them - but they are not strictly romance novels. Therefore, according to the publishing industry, they are not New Adult.

Make sense?

 

In My Humble Opinion, What New Adult Should Be

"But Emily, you label books as "New Adult" in your reviews all of the time, but they aren't romance!" I hear you say.

Yes. I'm aware. 

Because I'm of the stance that it's time we expand how we define New Adult books. When I look around on the Internet, people seem to really be craving this genre/age range. Something that's like a young adult books but deals with more mature issues, while not being a full out "adult" novel. For me, I love the young adult genre and the writing style. It can talk about deeper issues, but in a way that doesn't put me to sleep. (Not that all adult novels put me to sleep - that's not the case by any means!) But sometimes I want something that is similar, but more about people my age or closer to my age. Or, I think about books I would have loved to read when I was in college or just graduated college. If New Adult was a thing back then, I would have devoured it. 

Or, more selfishly, I think about the novel I'm working on at the moment. If I have it completed, I would love to submit it for Pitch Wars at the end of the summer. But, I would have to pick between Young Adult and Adult. It's not a full out romance, so New Adult wouldn't fit. Even when I someday query it, I'm going to have to pick between the two, even though I genuinely don't see it as either one.

My youngest "main character" is 18, all of the others are in their early to mid-20's. None of them are in school. They're dealing more with issues such as their future, marriage, etc. It can be violent and yes... they may even have sex. (Gasp!) Not that young adult doesn't deal with these issues - especially when the book is fantasy. But the way it's dealt with in a New Adult book is going to be very different than in a Young Adult book. Yes, perhaps I could push it toward adult, but I genuinely don't see that as my audience.

Or,  think of books such as A Court of Thorns and Roses by Sarah J Maas. It's so similar to mine in that none of the characters are teens and it deals with and handles certain issues in a way which I personally don't consider to be for the young adult genre. The same goes for her later books in the Throne of Glass series. But there are a ton of others like this as well, and not just fantasy. Let's Talk About Love, Wintersong, The Paper Magician, Just One Day, Grave Mercy... all of these are about characters in that "in between" time when they are no longer a teenager, but they aren't a "full" adult  yet. 

However, I do understand the conundrum. New Adult started as romance, and it would be incredibly difficult and take a very long time to create a whole new genre. When you think about it realistically, that's a lot to ask. 

Because technically, young adult is children's literature. Yup. You read that correctly. According to the publishing world and the way it's set up, young adult is still children's literature. Therefore, a sub-genre that is part of adult publishing would have to make the jump to children's. Or children's would have to make the jump to adult. It would be ridiculous.

So... I have a suggestion for a compromise.

When I walk into my local bookstore (usually Barnes and Noble) you find the different sections divided up. Children's usually has a whole corner to themselves. Then you have a couple of shelves for Young Adult. Then there's a whole part of the store for general fiction (adult) that's divided up by genre. Usually something along the lines of Fiction, Romance, Horror, Mystery, Sci-Fi/Fantasy, on occasion I've seen Western.

But, even on those few shelves for young adult, there's a bit of division. You'll see one portion for new releases, another for Fantasy, for awhile there was Paranormal Romance, etc. That way, customers could more easily find the genre and style of book they're looking for within the young adult/adult/children's section.

Why can't we do something similar for New Adult? In the young adult section, have a few shelves dedicated to "older young adult" or "new adult" so readers who want those stories can easily pick them out. Or perhaps do this in the adult section of the store/library. It wouldn't have to completely revolutionize the publishing industry. Just some rearranging so people can see the difference between a book intended for a younger audience, and a book that is for an older audience.

 

Wait... are you talking about censorship for young adult? That's not right!

I agree. I'm not a fan of censorship by any means. 

But I am talking about marketing books according to what's age appropriate. I mean... I've gone to places where a Sarah J Maas book will be shelved in the same section as Nancy Drew.

Um... no. That's not right.

A person can like and enjoy books covering all genres and age ranges. I know full grown adults whose favorite books are middle grade. I know teens who read adult novels. There is nothing wrong with this, and in fact I think this should be encouraged. Most teens know how to self-censor anyway. When I was in high school, a friend of mine let me borrow a historical romance novel. (A bodice-ripper if you will.) I was so scared I was going to read something I would be uncomfortable with, I didn't get past the first chapter. I knew what I would and would not enjoy. 

Probably because I thought all romance writers were like Ms. Perky in 10 Things I Hate About You.

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Yes, I did watch that movie every day one summer between my sophomore and junior years of high school. Yes, I still maintain it's one of the best movies ever. Fight me.

The point is - I knew what I was and was not comfortable reading. So, if a teen picks up a book and aren't a fan of the content, they'll probably put it down. However, that romance book my friend let me borrow was never shelved in the young adult section. It was very clearly in the adult romance section. 

When I go to the romance section and see shirtless men on the covers, I know what sort of book I'm picking up. But if when I was younger and I was browsing the young adult section and picked up a book that seemed interesting and then half way through there's this super explicit or violent scene that isn't found in other young adult books, I probably would have felt very betrayed and gotten into something way over my head that I wasn't ready for. That's just not fair. 

Having a section to give me a heads up that there would perhaps be content suited for a more mature audience, is something I probably would have found useful, and something I still would today. That way, the reader can choose to read it and decide if they're ready for it themselves. (Although, not all New Adult necessarily has explicit and violent content.)

And people are asking for this genre. They want it to be a real thing. I'm all for romance novels and have zero problems with New Adult being part of that genre. But I'd love for it to have a chance in other genres too. Characters on the brink of adulthood, on their own for the first time, figuring out life. I simply want the book and publishing industry to see that. 

From what I can tell, independent authors can do this and are pushing those boundaries. Which is awesome! But the traditional publishers need to catch up. People always seem to be worried about the traditional publishing industry and it keeping up with the times. I'm not saying adding New Adult to the mix will fix those problems. But embracing new ideas like that could be something helpful. 

That's why in my reviews I classify some books as "New Adult" even if technically they aren't classified as such. That way, people can see what the age range the protagonist is and it's focused more on that in between time of life. 

 

So, what are your thoughts? Have you heard about New Adult books? Have you read any? Which do you like? Do you think the publishing industry needs to expand in this genre?

 

Want to start reading New Adult (or any other books for that matter)? Click the link below!

(Affiliated link - I get a teeny tiny commission if you use it. But don't worry - no one is sponsoring this post! No one told me to write about New Adult books in exchange for anything! All of these thoughts are my own and I came up with this topic because of conversations I've been having with people.) 


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